The witticisms Hungama 2 weaves around a tyrant father who streams straightforward, a desirous husband who makes a dolt of himself, and a young woman who shows up one fine morning with a kid searching for the child's supposed dad are deadened, slapdash, and unfunny, aside from being absolutely out of sync with the circumstances. A lady with a child looking for a dad in a family reigned over by a hard drill sergeant is such a last-thousand years plot tool that the sorry demonstration of individuals going into a fluster and heading crazy because of the mother's cases is more bizarre than hilarious.
Since this is a Priyadarshan spoof, you half expect it to be adjusted with a crazy chase scene including every one of the key characters. Hungama 2 proffers just a mystery of what might have been a loud crazy situation of the sort that we saw that load of years prior in Hungama, Hulchul, and Bhaagam Bhaag. It closes suddenly, leaving Rajpal Yadav hanging in mid-air in a freeze outline, before veering into a wedding where everything the situation doesn't exactly spin out of control. If a hanging, nevertheless comic actor doesn't summarize Hungama 2, nothing will. With the two its feet fixed immovably previously, the film needs to be a laugh commotion. Furthermore, that turns out of the greatest joke.
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Colonel Kapoor (Ashutosh Rana) is a resigned prison manager who hasn't yet shed his jail supervisor persona. His son Akash (Meezaan Jaaferi) is good to go to wed the daughter of his dad's closest buddy Bajaj (Manoj Joshi). The arrangements for the wedding are tossed into chaos when a young lady named Vaani (Pranitha Subhash) arrives up at the house with a lovely little girl and in case Akash is the dad of the child. That is the circle that Hungama 2 remaining parts caught in for its excess two hours. Kapoor accepts the young lady and puts the spot on Akash to demonstrate that he didn't go the entire hoard with Vaani during their relationship in school. The dice are stacked against the person.
The film endeavors exceptionally difficult to sound contemporary - words and articulations like "aatankwaadi" (with regards to the naughty offspring of Kapoor's elder child), "ghuspaithi" (a reference to Vaani), and "baat virus ki tarah phail jayegi". On the most fundamental level, nonetheless, Hungama 2 is calmer with its warm hug of the worn-out. Hungama 2 banks basically on Paresh Rawal to infuse life into the procedures in the pretense of a legal advisor who presumes his significant other Anjali (Shilpa Shetty, making a big-screen rebound following a 14-year break) of having an unsanctioned romance with a fresher man.
Try not to ask how Anjali helps a living. It is proposed in passing that she is Akash Kapoor's own secretary however we have no chance of vouching for that because neither of them is at any point shown occupied with any sort of productive, unmistakable work. Hungama 2 is the kind of film that provokes the events unessential. This is regardless of the way that the cast has a few actors with demonstrated dominance over comic planning. At the very least the actual film isn't planned right. Let us not anticipate the actors - who toss the whole ensemble in with the general mish-mash, from shameless horseplay and hamming toward one side to belief and feelings at the other - to outdo the substance.
One feels frustrated about the new leads. Neither Meezan Jaffrey nor Pranitha Subhash is out of their profundity, yet they are pitifully limped by a screenplay that gives them no help by any stretch of the imagination. A remix of the mid-1990s number Chura Ke Dil Mera Goriya Chali (highlighting Shilpa Shetty, who likewise was in the first Main Khiladi Tu Anadi tune) isn't the lone return in Hungama 2. The film is sprinkled with different references to Bollywood films and dialogues of the past. It arranges a routine break (performed by the two leads) that looks to repeat Sridevi's Kaate Nahi Katati Din Yeh Raat and Madhuri Dixit's Dil Dhak Karne Laga. It likewise makes space for an appearance for Hungama lead entertainer Akshaye Khanna. The retro components are complete garbage, as silly as the actual film.
Rating:- 1.5/5
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