'Natkhat' spins around the narrative of Sonu (Sanika Patel), a 7-year-old kid who returns home one day casually gloats to his dad and granddad about kidnapping his female schoolmate at school and 'showing the girl something new.' On one hand, the family patriarch grins and says, "Ladka hai, ho jaata hai," suggesting that Sonu is almost impacted by TV and that he should restrict his watching of the Ramayana and Mahabharata from this point forward. Sonu's mom, then again, is worried about the chance of her child developing serious conventional aspects of male bullheadedness.
She brings matters into her hands by showing Sonu the upsides of equity through the deep-rooted specialty of sleep time stories. Thoughts like "Men will be men," "young men don't cry," have been so profoundly imbued in our socio-cultural texture that regularly young personalities guzzle these unwittingly. Shaan Vyas splendidly outlines something very similar in this friendly extravaganza while wearing the director's cap interestingly. The dining room scene, in which the entirety of the men in the house are eating and ladies are serving them chapatis, is magnificently shot to represent the meaning of the male-female force elements.
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The screenplay has been carefully written by Annukampa Harsh and Shaan Vyas. With the assistance of a sleep time story—of Raja Rudra Kumar and his daughter Urmi—the central character discusses a general population without ladies and the world which is pretty much kicking the bucket attributable to its own madness. The story and background score are slyly joined to explain the characteristics and analogies among women and birds, rulers and youthful rascals. At first, the narrative consumes a large chunk of the day to build up Sonu's character traits, particularly the negative impacts in his day-to-day existence.
Notwithstanding, the characters have profundity and carry the necessary force with their presentations. Wearing conventional sarees, Vidya Balan assumes her part of a homemaker and a caring mother with confidence. Her personality hits hard on poisonous masculinity, and she's calm sharing screen space with a debutante actor, Sanika Patel. The mother-child bond will make you feel great inside and even move you to tears in numerous scenes. Notwithstanding being behind a shroud, Vidya flawlessly shows her distress when her child nonchalantly proposes to his dad how to handle a tricky lady: "Toh ussey utha lo na!"
That's an epic second when she understands that she should exceed all expectations to destroy male-controlled society in her family. All said, 'Natkhat' adequately battles man-centric culture in a short 33-minute time period. It resembles a tribute to all women who end up secured in identical conditions and attempting to break down the thick dividers of man-centric society. This one unquestionably merits a watch.
Rating:- 3/5
Now streaming on Voot.
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